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HomeProductshalabala cantilever chair, eisengarn, bauhaus-modernism-1930s
halabala cantilever chair, eisengarn, bauhaus-modernism-1930s

halabala cantilever chair, eisengarn, bauhaus-modernism-1930s

Style: Bauhaus, Bauhaus Modernism

Design: Jindřich Halabala

Manufacturer: PILOT

Country: Czechoslovakia

Measurements:

H 87 cm W 53 cm D 51 cm

Year: 1930s

Condition: original

Quantity: 1

Price: 3.400 €

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This early cantilever chair is based on a design by Jindřich Halabala and was manufactured in the early 1930s by the Czechoslovak company PILOT. Furniture from PILOT is among the rarest expressions of the interwar tubular-steel movement and has been largely absent from the international collectors’ market for many decades. This exact model is documented and illustrated in the publication “Jindřich Halabala a Spojené uměleckoprůmyslové závody v Brně”.

The construction belongs to the experimental phase of the European cantilever chair. Produced around 1930, the piece was developed in the same period as the first tubular-steel furniture by Mart Stam, Mies van der Rohe, Marcel Breuer and Anton Lorenz. Within this context, Halabala formulated a position that was influenced by Bauhaus principles yet shaped by the distinct Czechoslovak approach to early Modernism.

The chromed tubular-steel frame features a rare structural solution: the backrest is mounted inside the frame and fastened from the outside — a technical detail applied only for a short period in the development of the cantilever chair. The combination of tubular steel, straight massive-wood armrests and a textile seat gives the chair a functional, architectural presence while retaining a warm materiality.

Seat and back are covered with the original Eisengarn fabric — a metal-reinforced functional textile used only briefly during the early phase of tubular-steel Modernism. The material remains tight and clean, with a naturally developed light fading caused only by age and exposure to light. The armrests still carry their first finish. For a piece from the early 1930s, this level of originality is exceptional.

With its early production date, its secure provenance, its unusual technical characteristics and its remarkably well-preserved original condition, the chair represents a highly significant example of design history. It reflects the early, Bauhaus-influenced period of Halabala’s work and stands as a rare Czechoslovak contribution to the international development of tubular-steel Modernism.

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